Kim
Hiorthøy
My
Last Day
(Smalltown Supersound)
My Last Day is the second full-length
album from Kim Hiorthøy since his critically acclaimed
debut Hei from 2000. Since then he has also released
the 2002 album Melke (a collection of remixes, 7
inches, rejected tracks and tracks for compilations), several
7 inches and 12 inches as well as his three EPs in 2004:
Hopeness, Live Shet (a live recording) and For The
Ladies (a limited edition collection of field recordings).
Since his debut album he has also toured the USA, Europe and
Japan several times, as well as a tour in China.
Extraordinarily talented and expressive, Kim Hiorthøy
operates in many different fields in addition to music. As
a graphic designer he is responsible for the Rune Grammofon
artwork, as well as most of Smalltown Supersound’s artwork.
He is also an artist (check out www.standardoslo.no for more
information about his art) and a writer. Kim wrote the book
Du kan ikke svikte din beste venn og bli god til å
synge samtidig on Norwegian literary publisher Oktober
Forlag. He has released a book of photography in Japan, a
book of drawings, Alt Fins, and a design book, Tree
Weekend on Die Gestalten Verlag in Germany. Additionally,
Kim has illustrated several children’s books. Kim has
worked in film as a photographer, having shot the acclaimed
Norwegian movies “Kroppen Min” and “Ungdommens
Raskap”, as a video director for the concert film “Supersilent7”,
and as a filmmaker, having just debuted as a director/screenwriter
with the Swedish/Norwegian co-production, ”Hur Man Gor”.
Kim Hiorthøy is based in both Berlin and Oslo, but
has mostly lived in Berlin over the last couple of years.
He has worked on My Last Day on and off throughout
the last two years; most of it was recorded at his Berlin
studio. Compared to Hei, My Last Day is less fragmented
and more song based. It is also more melodic and complete,
all with Kim’s characteristic sound. He often has an
organic and folk-like tone to his music which XLR8R
magazine recognized when they placed him in the forefront
of the new electronic folk music movement with artists such
as Herbert, Matmos and Four Tet. Kim Hiorthøy’s
music draws influences from folk, jazz (his live sets these
days are with free-jazz drum virtuoso Paal Nilssen-Love),
lo-fi/leftfield electronics, acid, hip-hop, field recordings
and samples. All his music is created on an MPC sampler, the
original hip-hop instrument. The use of the MPC also makes
Kim’s live performances much more physical than the
often mundane laptop live sets in electronic music.
The music and everything else Kim Hiorthøy creates
has his own unique and strong signature -- that Kim Hiorthøy
feeling, you might call it. On My Last Day Kim Hiorthøy
continues to create great electronic pop music all in his
distinct way and style, and all in his very own universe.
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