Fool's Gold
Fool's Gold (IAMSOUND Records)

Fool's Gold is a Los Angeles based 10+ member musical group that weaves together western pop aesthetics with various African influences. The experience is both vital and joyous yet not limited by any single genre categorization. They are known to make audiences dance up a sweat and chant along to their fluttering choruses, sung in both Hebrew and English. Singer/bassist Luke Top (via Israel) and guitarist Lewis Pesacov lead the
blissful march of supporting members, which include Argentinean pop star Erica Garcia and members of Foreign Born, into an impassioned collective fervor. The result is not just a nod to the lush variation of global music, but a unique foray into a new kind of reinterpreted American pop music. Fool's Gold has shared the stage with a variety of artists ranging from Cat Power, Fugiya & Miyagi to The Senegalese Kora Master Youssoupha Sidibe. They presently have a limited edition 7” out on Black Iris and an upcoming LP out on IAMSOUND in September of 2009.

L.A. Weekly:
“Phalanxes of guitars chime and clang a mesh of crisp, clean melody. A drum kit locks on a syncopated shuffle as countless extra limbs provide bongo thwacks, conga smacks and tambourine splashes. A lone bass, thick and deep amid the trebly latticework, kneads gelatinous orbs. Balmy synths hum in soothing billows. Top's voice leads the charge, booming Hebrew verses, and the whole group responds en masse to his calls. The lilting guitar music of West Africa is an obvious touchstone. Fool's Gold have already popped up on France's radar -- the arts program Tracks flew out to Echo Park, to hold court with them. Then again, who else is weaving cantorial
yearning through the tuneful electricity of Afro-Islamic jangle and the tribal antics of Adam & the Ants?”

Los Angeles Magazine:
"Their sound, rustic tropical rhythms that have been
grown, harvested, dried, ground, and mixed with Luke Top's vocals, fried every molecule in the room." Individual performances in the band are deceptively simple and repetitive, but a musical complexity comes from the sheer number of people on stage, as if a much smaller band invited their friends to come out from backstage and jam. The whirling, hazy repetition
would be nothing without Top's singing, which fluctuates between Hebrew and English with surprising power."

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